《Heroes》经典台词
第一集：Genesis
他从何而来，这种渴望，这种需求，想去揭开生命奥秘却从未有过答案，我们为什么在这，什么是灵魂，我们为什么做梦？莫不关心也许更好，不钻研，不渴求知晓，这不是人类的本性，也不是人类的心意，更不是我们存在的目的。
Where does it come from? This quest, this need to solve life's
mysteries when the simplest of quetions can never be answered. Why
we here? What is the soul? Why do we dream? Perheps we'd better of
not looking at all. Not delving, not yearning. That's not human
nature. Not the human heart. That is not why we are here......
第二集：Don't Look Back
所有的人都幻想着做命运的代理人，能够决定我们自己的宿命，但是我们真的能够掌控人生的起起伏伏吗？亦或是有另一种更加强大的力量操纵着我们前行的方向？是进化将我们玩弄于股掌之中吗？还是科学帮我们指点迷津？还是说是上帝让我们平平安安？
We all imagine ourselves the agents of our destiny capable of
determing our own fate But have we truly any choice in when we
rise? Or when we fall? Or does a force larger than ourselves bid us
our direction? Is it evolution that takes us by hand? Does science
point our way? Or is it god who intervenes, keeping us safe. For
all his bluster, it is the sad province of man that he cannot
choose his triumph. He can only choose how he will stand when the
call of destiny comes. Hoping that he'll have the courage to
answer......
第三集：One Giant Leap
突然你生命中原本美丽的变化会反过来出卖你，
这也许很残酷，但是没有比自我保护更重要的了，一切都为了生存，这种力量进化是没有感情的，就象地球本身，它只知道生命与死亡斗争的残酷现实。你只能希望并且相信当你忠实的满足它的需要，
也许还留下一点你曾经了解的生命的火光。
Suddenly, the change in your life that should have been
wonderful, comes as a betray. It may seem cruel, but the goal is
nothing short of self-preservation. Survival，this force, evolution,
is not sentimental. Like the earth itself, it know only the hard
facts of life's struggle with death. All you can do is hope and
trust that when you've served its needs faithfully, there may still
remain some glimmer of the life you once knew......
第四集：Collision
有时候问题的力量比答案更强大，怎么会这样？是什么问题？为什么是它们而不是其他？为什么是现在？它们到底有什么意义？
Sometimes questions are more powerful than answers. How are
these happening? What are they? Why them , not others? Why now?
What does it all mean? ......
第五集：Hiros
当变化来临时，某些物种便有了迁移的冲动，人们把这叫做“迁徙兴奋”，将灵魂牵往远方，跟随着风中的一缕气息，天空中的一点星光，来自远古的讯息，召唤着整个家族启程、团聚。只有这时，他们才能希望挺过即将到来的残酷季节。
When a change comes, some species feel the urge to migrate. They
call it zugunruhe The pull of the soul to a far-off place.
Following a scent in the wind, star in the sky. The ancient message
comes, calling the kindred to take flight and to gater together.
Only then can they hope to survive the cruel season to
come......
第六集：Better Halves
进化是一个不完美而且常常伴随着暴力的过程，一场已存在和还未出现事物之间的战役，在伴随出世的阵痛中，道德失去了意义，正义与邪恶的问题简化成一个选择：生存还是灭亡。
Evolution is an imperfect and often violent process. A battle
between what exists and what is yet to be born. In the midst of
these birth pains, morality loses its meaning. The question of good
and evil reduced to one simple choice:survive or perish......
第七集：Nothing To Hide
他们不会明白你会在失败中失去多少东西，但是你是一件没有瑕疵的作品。世间的一切生命在平衡中命悬一线，英雄能很快发现谁成为帮手而谁只会碍事。
They cannot fathom how much you stand to lose in failure. But
you are the instrument of a flawless design. And all of life may
hang in the balance. A hero learns quickly who can comprehend and
who merely stands in your way......
第八集：Seven Minutes To Midnight
世界之大，大到你认为你可以躲过任何事物，躲过命运，躲过上帝，只要你能找到一个够遥远的地方，所以你逃走了。逃到天涯海角，那里安全宁静又温暖，咸咸的海风安慰你，危险的宁静被抛在了身后，这是对悲痛的享受，也许有那么一刻...你相信自己已经脱逃。
The earth is large. Large enough that you think you can hide
from anything. If only you found a place far enough away. So you
run. You can run far. You can take your small precautions. But have
you really gotten away? Can you ever escape? Or is the truth that
you do not have the strength or cunning to hide from destiny. But
the world is not small, you are. And fate can find you
anywhere......
第九集：Homecoming
如果有什么不同的话，我们是有习性的动物，被所熟悉事物的安全和舒适所吸引，但如果熟悉的事物变得不安全了，那又会怎样呢？当我们一直拼命避免的恐惧，找上门来呢？
We are, if anything, creatures of habit drawn to the safety and
comfort of the familiar. But what happens when the familiar becomes
unsafe, when the fear that we have been desperately trying to avoid
finds us where we live?......
第十集：Six Months Ago&
对万物而言,每个目标都有特定的时期和特定的期限,当我们拼命地尝试不被进化抛弃时,地球正以每小时1千英里的速度环行,就像是预示着初冬来临的万物大迁徙,有任何预示他们到达的警讯吗?一个动作
一件单纯的事
就引发了骨牌效应?,这就是你一直为之等待的,真有人对上帝耳语吗?成为我们需要的那个人,生存,适应,逃亡,而如果我们可以及时的标识出第一次,预言暗示危险逼近的那一刻?我们会做什么不同的事情?这一切能被阻止吗?,或者这一切冥冥之中早已注定?,而如果我们可以回到过去改变它的进程,从开始之初就阻止它发生,我们能吗?
To everything, there is a season,and a time to every purpose.As
we desperately try to keep from being thrown off,The earth
at 1,000 miles an hour.Like the first blush of winter that signals
a great migration.Was there any warning of their arrival?a single
event that set this chain into motion?This is what you've been
waiting for,Was it a whisper in God's ear?Survive,Adapt,Escape,And
if we could mark that single moment in time,that first hint of the
prophecy of approaching danger...Would we have done anything
differently?Could it have been stopped?Or was the dye long ago
cast?And if we could go back,alter its course,stop it from
happening...
第十一集:Fallout
第十二集:Godsend
最初一切从探索开始,一切的原理还是未知,看似绝不可能的改变悄然而至,旧物堙灭
被遗忘,新鲜事物渐渐为人熟知...,新的噩梦悚现,新的朋友让人感到心安,只有这时一切才都在控制之中,秩序出之于混沌,这源自果敢
源自钻研,源自奋斗...,一切皆建立在对公认真理的调整,而地球却在脚下颤抖,有了我谁还需要上帝?
In the beginning, there was discovery.A confusion of
elements,the first snowfall of impossible change.Old lives undone,
left behind.
Strange faces made familiar...new nightmares to challenge sleep.New
friends to feel safe with.Only then comes control.The need to
impose order onto chaos,through determination,through study,through
struggle...all in defiance of a thundering truth.And the earth
shudders underfoot.Who needs God when you've got me?
第十三集:The Fix
当我们深信我们拥有无限潜能的时候,如你所见,我们的未来充满着希望,此时此刻,我们满怀憧憬,但是当我们背弃了我们的天性,和自己内心最深处的渴望相抗争的时候,一切开始变得难以预测.这条路究竟通向何方?变异何时才会结束?这究竟是基因转化给予的恩赐,还是个诅咒?你对力量一无所知,还有那些对于前路满怀恐惧的人,其中最重要的问题是,我们确实能改变真正的自我吗?
When we embrace what lies within our potential has no limit.As
far as you know,The future is filled with promise.The present,rife
with expectation.But when we deny our instinct,and struggle against
our deepest urges...Uncertainty begins.Where does this path
lead?When will the changes end?Is this transformation a gift?Or a
curse?You don't anything about power.And for those who fear what
lies ahead,The most important question of all--Can we ever really
change what we are?
第十四集：Distractions
第十五集：Run
为了在这个世界生存下去,我们必须和我们所依靠的人紧紧团结在一起,我们全心地信赖他们,分享我们彼此的希望和恐惧,但当我们所相信的不复存在时会怎样?当我们深信不疑的事从我们眼前消失的时候
我们该何去何从?当一无所有的时候
未来变得扑朔迷离,我们哪怕是生存都要步步为营...这不是个问题,我们唯一所能做的...就是继续前行.
To survive in this world,we hold close to us,those people on
whom we depend.We trust in them our hopes,our fears.But what
happens when trust is lost?Where do we run when things we believe
in vanish before our eyes?When all seems lost,the future
unknowable,our very existence in peril...Not a problem,all we can
do...is run.
第十六集：Unexpected
第十七集：Company Man
第十八集：Arasite
第十九集：0.07%
一个怪物为了生存而战,为了杀戮而生存,一位母亲宁愿分裂自己的灵魂,也要保护她的孩子,年轻人为了单纯的生活而努力,尽管生活是残酷的.双重人格的生活,需要双重谎言来支撑.一位迷茫的英雄
单纯地为了成功而喜悦,他人生最黑暗的时刻,就是整个世界都已满目疮痍,所有完美的瞬间都在此刻冻结,孤零零的
每个人都讲述着单独的故事,而合在一起 他们可以叙述整个未来.
A monster's fight& to survive,and live to kill
again.A mother willing to fracture her own soul to protect her
child.Youth struggle for innocence,despite life's cruelty.The
double-edged lies needed to sustain a double-edged life.A wandering
hero's pure joy at success.And his darkest hour,when all the world
seems lost.All perfect moments& frozen in
time.Alone,each tells a single story.Together they can tell the
第二十集：5 YEARS AGO
第二十一集：Difficulties
第二十二集：Landslide
第二十三集：How to stop an exploding man
它从何而来?这种探求,这种想要破解生命之谜的渴望,如此简单的问题却永远得不到答案,我们为何会存在?灵魂是什么?我们为何会做梦?也许我们本该不去考虑,没有追求,没有向往,但这并非人类的天性,也不是出自本意,更不是我们存在的意义,我们至今仍在奋斗,去改变世界,去实现梦想,我们不知道,在寻求真理的路上会遇见谁,在这广阔世界里,陌生的人群中,谁会与我们携手共进,触摸我们的心灵,分享失败的痛苦.
Where does it come from?This quest,This need to solve life's
mysteries,when the simplest of questions can never be answered.Why
are we here?What is the soul?Why do we dream?Perhaps we'd be better
off not looking at all.Not delving, not yearning.But that's not
human nature, not the human heart.That is not why we are here.Yet
sill we struggle to make a difference to change the world, to dream
of hope.Never knowing for certain who we will meet along the
way.Who among the world of strangers will hold our hand,Touch our
hearts,And share the pain of trying.
我们梦见了希望及改变,梦见火，梦见爱，梦见死亡,然后就发生了,梦境变成了现实,我们苦苦追寻的答案,解读生命奥秘的答案，最终浮出了水面,就如同黎明的曙光,为了最终的目标,我们如此地斗争,最终却在彼此身上找到了它.那就是我们曾有过的卓越与平凡的共同体验,人类需要靠寻找血脉来联系彼此,从而在内心深处感知,我们并不孤独.
We dream of hope. We dream of change.Of fire, of love, of
death.And then it happens.The dream becomes real.And the
to this quest,this need to solve life's mysteries，Like the glowing
light of a new dawn.So much struggle for meaning, for
And in the end, we find it only in each other.Our shared experience
of the fantastic,And the mundane.The simple human need to find a
kindred.To connect.And to know in our hearts,that we are not
第一集: Four Months Later...
一个新的黎明,太阳升起了,然而很少有人意识到自己有义务担起保护他人的重责.对那些生活在我们周围的,无名的,表面上很普通的人们,他们注定要聚在一起来补救,治疗并且拯救我们,他们仍然在那里,在我们中间,或者在暗处,或者在明处.我们在街上路过他们,不会看他们一眼
不会去怀疑,不会去了解他们,然而他们知道吗?他们被一个共同的目标,一种荣耀,联系在一起,因此变得超凡?他们还能隐藏多久,在他们的命运或者他们的劣根性将彼此再次曝光之前?而且,当他们终于暴露了,他们怎么知道是什么在等着他们?
The sun rises on a new dawn.Yet few of us realize the debt we
owe to those responsiblefor this.To those who dwell among
us,anonymous,seemingly ordinary,whom destiny brought together to
repair,to heal,to save us from ourselves,and they're still out
there,among us,in the shadows,in the light.We pass them on the
street without a glance,never suspecting,never knowing.How long can
they dwell in the shadows before either fate or their own flawed
humanity draws them out into the light again?And how will they know
awaits them when it finally does?
第二集: Lizards
第三集: Kindred
第四集: The Kindness Of Strangers
第五集: Fight or flight
我们对抗面最恐怖的噩梦时,别无选择:战斗或逃跑.我们希望能找到对抗恐惧的力量,尽管这样,但有时我们会逃跑.如果我们的噩梦紧跟着我们怎么办?我们能躲到哪里?
When confronted by our worst nightmares,The choices are
few:Fight or flight.We hope to find the strength to stand against
our fears.But sometimes, despite ourselves,We run.What if the
nightmare gives chase?Where can we hide then?
第六集：The Line
第七集：Out Of Time
第八集：Four Months Ago
正是人们的记忆，使我们分离的。我们是唯一在乎过去的物种，回忆不断萦绕耳旁，回忆见证历史，所以后人能够以史为鉴：庆祝我们获得的胜利，以我们的失败为戒。
It is man's ability to remember that sets up apart.We are the
only species concerned with the past.Our memories give us
voice.They bear witness to history so that others might learn.So
they might celebrate our triumphs,and be warned of our
有很多方法能定义我们脆弱的存在，有很多方法赋予它意义。但是，却是我们的记忆，赋予其目的，给予其内容。个体对图像，恐惧，爱情和悔恨的区分。因为这就是生命冷酷的嘲讽，我们注定手握黑暗和光明，善良和邪恶，成功和失望。这些使我们个性迥异，造就成人。而最终，我们必须奋斗着坚持。
There are many ways to define our fragile existence.Many ways to
give it meaning.But it is our memories that shape its purpose and
give it context.The private assortment of images,fears,loves,
regrets.For it is the cruel irony of life that we are destined to
hold the dark with the light,the good with the evil,success with
disappointment.This is what separates us,what makes us human.And in
the end,we must fight to hold on to.
第九集：Cautionary Tales
第十集：Truth And Consequences
第十一集：Powerless
已投稿到：
以上网友发言只代表其个人观点，不代表新浪网的观点或立场。From Wikipedia, the free encyclopedia
For other uses, see .
Dont Look Back is a 1967 American
that covers 's .
In 1998 the film was selected for preservation in the United States
as being "culturally, historically, or aesthetically significant". In a 2014
poll, film critics voted Dont Look Back the joint ninth best documentary film of all time.
The film features ,
(who had just left ), Dylan's manager
and his road manager . , , , and
may also be glimpsed in the background. The film shows a young Dylan: confident if not arrogant, confrontational and contrary, but also charismatic and charming. Notable scenes include:
Dylan's extended taunting of 's
arts and science correspondent
who was subjected to what he believes to be a contrived tirade of abuse from Dylan.
Dylan's interrupting 's backstage performance of "Little Things" to ask Price why he left .
Dylan and Baez singing
songs in a hotel room, as well as Baez singing the first few verses of "Percy's Song" and "" (which was still apparently unfinished at the time, as Baez later tells Dylan, "If you finish it I'll sing it on a record"; she would record it in .)
Dylan's pre-concert philosophical jousting with a "science student" (, who later co-founded ).
Grossman negotiating with former
leader and music agent .
Dylan singing "" on July 6, 1963, at a Voters' Registration Rally in
(shot by artist and experimental filmmaker ).
A selection of songs from Dylan's
performance.
Dylan regaling the room with "" after proclaiming "Hey, that's a good song, man!" at the completion of Donovan's performance of "To Sing for You".
Dylan's romance with Baez had pretty much run its course by the time of the tour, and the film candidly captures what amounts to their breakup.
The opening scene of the film also served as a kind of music video for Dylan's song "", in which the singer displays and discards a series of cue cards bearing selected words and phrases from the lyrics (including intentional misspellings and puns).
appearance during this episode.
Albert Grossman
Bob Neuwirth
Alan Price
Tito Burns
Derroll Adams
Howard Alk
Chris Ellis
Terry Ellis
Marianne Faithfull
Allen Ginsberg
John Mayall
Brian Pendleton
speaking at DVD re-release event on February 27, 2007
The original title of this film is Dont Look Back, without an apostrophe in the first word. D. A. Pennebaker, the film's writer director, decided to punctuate the title this way because "It was my attempt to simplify the language". Many sources, however, have assumed this to be a
and have "corrected" the title to Don't Look Back. In the commentary track to the DVD release, Pennebaker said that the title came from the
quote, "Don't look back. Something might be gaining on you," and that Dylan shared this view.
The title also appears as a line in Dylan's song "" from the 1965 album
("she's an artist/ she don't look back"). Pennebaker has said that he was not aware, when deciding on the film title, that it had appeared in one of Dylan's songs, and that he knew Dylan did not want a song lyric to be the title. (Dylan would later again use "don't look back", this time in its imperative form, in the song "Pressing On", from the 1980 album , which contained the lyric "shake the dust off your feet/ don't look back".)
Pennebaker has stated that the famous "Subterranean Homesick Blues" music video that is shown at the beginning of the film was actually shot at the very end of filming. Pennebaker decided during editing to place it at the beginning of the film as a "stage" for Dylan to begin the film.
The film was first shown publicly May 17, 1967, at the Presidio Theater in San Francisco, and opened that September at the 34th Street East Theater in New York.
A transcript of the film, with photographs, was published in 1968 by .
The film has been very well received by critics. It currently has a rating of 100% on Rotten Tomatoes based on reviews. The film also received a 5 star review from . In August 1967, a
reviewer wrote:
Dont Look Back is really about fame and how it menaces art, about the press and how it categorizes, bowdlerizes, sterilizes, universalizes or conventionalizes an original like Dylan into something it can dimly understand.
Dont Look Back has been available on DVD for several years. It was digitally remastered and re-released on DVD February 27, 2007. The two-disc edition contained the remastered film, five additional audio tracks, commentary by filmmaker D. A. Pennebaker and Tour Road Manager Bob Neuwirth, an alternate version on the video for "Subterranean Homesick Blues", the original companion book edited by D. A. Pennebaker to coincide with the film's release in 1968, a flip-book for a section of the "Subterranean Homesick Blues" video, and a brand new documentary by D. A. Pennebaker and edited by
called . The DVD packaging was also given new artwork.
On November 24, 2015,
released a newly restored
transfer of the film on Blu-ray and DVD. The Criterion version contained new special features.
reference the movie in their 1996 album
during the song "Like Dylan in the Movies" (refrain: "And if they follow you/don't look back/like Dylan in the movies/on your own").
references the movie in her 2000 album
during the song "Heroes" (lyric: "Dylan was so mean to Donovan in that movie").
pay tribute to the opening sequence in their video for "" from their 1987 album, .
The 1992 satire film
includes several scenes that are influenced by the movie, including a clear parody of the opening scene, complete with misspelled words ("Dange", for example).
The opening sequence with Dylan's "Subterranean Homesick Blues" video is alluded to in a 2008 ESPN commercial with Kenny Mayne.
The same sequence was also parodied in the video for 's song "Bob"; that video also includes specific allusions to the INXS video.
The video was also parodied several times on , where his mumbling would be exaggerated.
The vinyl version of the ' bootleg of their performance at the Glastonbury Festival is entitled "Don't Look Back."
In the movie ,
references Dont Look Back, discussing the scene where Dylan hails a taxi.
In the 2007
, the main character (Dewey Cox) goes through a transitional period in 1966 that heavily resembles Dylan, and Dont Look Back in particular. Most notably during a press conference scene in which a reporter compares Dewey to Dylan. Dewey replies, "Why doesn't anyone ask Bob Dylan why he sounds so much like Dewey Cox?", parodying a press conference in Dont Look Back where Dylan provides a similar response when a reporter compares Dylan to fellow
"Don't Look Back" (1999) is an artwork by the British sculptor and conceptual artist . Her recollection of the documentary is transcribed into first person to give the impression of a witness account of the events captured in the film. The piece takes the form of a
"Give the anarchist a cigarette" is uttered by Dylan upon learning that he had been pejoratively labeled as an
by various newspapers in 1965. The event is captured in the final scene of the documentary.
The phrase has since passed into popular culture in several instances.
album of live Bob Dylan songs has been called Give the Anarchist a Cigarette.
A film has also been given the title Give the Anarchist a Cigarette.
The phrase has since been used by the
for the title of a song on their album . The song is about Bob Dylan and includes the lyrics: "Give the anarchist a cigarette/ 'Cause that's as close as he's ever going to get/ Bobby just hasn't earned it yet."
It is also the title of the autobiography by , a musician and anarchist.
. BBC News 2014.
Sounes, Howard, 2001, Down The Highway: The Life Of Bob Dylan, Doubleday, p. 171.
(audio). . Digital.library.unt.edu.
review of Give the Anarchist a Cigarette, by .
Hall, Jeanne (1998): Don?t you ever just watch? American Cinéma vérité and DONT LOOK BACK. In: Grant, Barry Keith/Sloniowski, Jeannette (eds.): Documenting the Documentary. Close Readings of Documentary Film and Video. pp. 223–236, Detroit: Wayne St. University Press,
Saunders, Dave (2007). Direct Cinema: Observational Documentary and the Politics of the Sixties. : .  . (This book contains a lengthy chapter on Dont Look Back and its cultural context and significance.)
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