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作者：MedSci&&&&&来源：MedSci
Springer出版社杂志一般使用editorial manager投稿系统上传稿件，很多作者经常会出现文件上传错误或最后无法提交的情况，对此MedSci小编以Modern Rheumatology杂志为例，教大家系统注册和稿件上传的一般流程。
点击主导航菜单上的“REGISTER”，出现以下界面
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{list wl as x}{/list}No One Is LostATO o 20145.8by ContributorShare on FacebookShare on TwitterOpen share drawerThe latest from the Canadian band finds them having fun and adding more danceable beats to the equation. It’s a more extroverted record that touches on the artisanal indie genres one has come to expect from this band.
Play Track&From The Night& — StarsVia Play Track&No One Is Lost& — StarsVia
would likely be flattered if you called them “pop” and honored if you called them “sophisticated.” You shouldn’t have to ch as their previous collaborator/remixer
will be more than happy to tell you,
But since their 2004 breakthrough , Stars made those terms seem mutually exclusive, as their charms were obscured by haughty thematic concepts (, doughy orchestration ( or astonishing self-regard (the abominable remix LP ). Fortunately, by 2012’s , Stars decided to have fun again (or for the first time) and No One Is Lost finds them chasing base thrills with more even more gusto. But in micromanaging every celebratory aspect, it raises the question of whether a party is still a party if Stars run through it.
As opposed to its nostalgic predecessor, No One Is Lost concerns itself with forward momentum, beginning with its serendipitous recording atop the Royal Phoenix, a now-shuttered Montreal gay disco. While the Phoenix was still in business, the bass would make its way up to Stars' studio and they were motivated to “out-throb the throb.” And some of No One Is Lost qualifies as danceable, if not exactly “dance music.” It’s simply a more extroverted look at the artisanal indie genres that one has come to expect from this band—melodramatic, Smiths-derived jangle, sophistipop, blue-eyed Motown—though they strew triplet bass drum across the straight soul-clap of “A Stranger” like they might’ve heard
at some point.
More to the point, the narrators of No One Is Lost abide by a fatalism that’s the closest thing we’ll probably get to actual optimism on a Stars record: something along the lines of, you’ll probably have to spend most of your days in a shit job or a boring relationship, so make the night count. That’s the message of six-minute mission statement “From the Night”, and as far as Canadian indie collectives paying homage to the transformative powers of sundown by fusing arena rock and Gloria Estefan, well...it’s at least in the
from the past year. But even if Stars can never truly cut loose, they can offer the crowd an honest hands-up chorus and lack the earnestness that made ’s costume parties sound stiff.
But as the album progresses, that becomes a liability. If not earnestness, you wish Stars could demonstrate the same kind of black-and-white, life-or-death stakes in their music as their Montreal neighbors. If you’re gonna espouse a “live fast, die young” philosophy, you have to sound like you believe it too. This is less of a problem when Stars engage in their usual, theatrical songwriting constructs and set pieces. The he-said, she-said between Torquil Campbell and Amy Millan is too comfy to generate much friction at this point, although the possible songwriting-as-lovemaking metaphor of “You Keep Coming Up” (&You gotta give it away/ So you can get it for free&) does at least provide wincing awkwardness.
But when No One Is Lost tries to blend in with the youth, Stars sound like professors rather than participants. The schoolyard shouts of “Turn It Up” sound out of character in all aspects, though at least the title refers to the radio and not the 2013 colloquialism. And while “Trap Door” contains the most elegant choral melody, Campbell’s critiques of hedonism’s inherent hollowness come off as smug, sounding like someone who’s writing about the idea of it rather than the experience—“the kids in VIP are all looking for a family/ Their teeth are made of gold but their wallets are empty.” Gold teeth? Does Campbell still think ?
That's a more egregious example of how Stars' lyrics are pithy, but facile, lacking any kind of edge. The most problematic one comes when Stars deliver what should be the mic-drop, valedictory address during the title track: “Put your hands up because everybody dies.” It reminds you that irony pervades this album from its title on down and that Campbell feels the best way to cope with the pervasive disorientation of being alive is, “To get arseholed and listen to Dionne Warwick,” another arch quote demonstrating how “fuck it” is so carefully curated here. Is No One Is Lost even an album meant to be listened to in the very situations it writes about? While a fine enough record in its own right, it’s more suited to fostering a discussion about the theoretical implications of our collective, impending doom than celebrating it.关注今日：120 | 主题：567538
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大家好：我投稿一个SCI杂志，人家让提供3个Suggest Reviewers和1个Oppose Reviewers，请问这是什么意思？我该怎么找这些人？谢谢啦！
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让你推荐建议的审稿人和需回避的审稿人，不能选你的作者群里的人。如无相关可选择的人物，一般你可找找你看过的外文文献中的通讯作者（均有通讯地址及EMAIL），或国内该领域的相关研究者。
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初次投，你想要长进，就选你所看过的参考文献中的“大牛”（最权威杂志发表文章的通讯作者）作为你“建议的审稿人”，他们如果接受审稿，会提出中肯的意见的，绝对终生受用。但被拒稿的几率较高。另外楼主要注意，3个Suggest Reviewers和1个Oppose Reviewers是否为必选项（有“req”红色标注）。如果不是必填项，可以跳过的。
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